Station Eleven by Emily St. John Mandel
My rating: 4 of 5 stars
Station Eleven is a book that cannot be categorised easily. Is it science fiction? Is is literary fiction? Is it post-apocalyptic fiction? It is all of the above, and yet it does not conform to the tropes of genre fiction.
The apocalyptic event – a pandemic caused by a highly infectious and deadly strain of flu straddles the two main plot arcs in Station Eleven. Before the end of the world as we know it, we follow the life (in reverse) of Arthur Leander, a famous actor, now in his middle ages and playing Lear on stage. The second, post collapse arc, follows Kirsten Raymonde an actor with the Travelling Symphony as it moves between small settlements on the shores of Lake Michigan performing Shakespeare, playing classical music and avoiding trouble as best as they can.
Reviews on Goodreads, and on other similar sites are full of quotes from the book, and for good reason. Emily St. John Mandel’s prose has a simple, descriptive style that manages to convey both the beauty and the desolation of her post apocalyptic world. We find beauty and grace in burnt out houses, dark forbidding forests and abandoned rust streaked airplanes parked nose to tail at the airport, going nowhere. There is danger in the form of “The Prophet” and his followers as they stalk the Travelling Symphony. Yet, this book is not like The Stand or perhaps Justin Cronin’s The Passage. The minutiae of survival and self defence are ignored as the book focuses on the emotional impact of societal collapse on those that lived through it and those that were too young to remember the world as it was but are surrounded by the decaying scaffolding of civilisation.
The book is a meditation on art and, in a sense, of mortality. Arthur Leander, in some ways the central character of this book is not remembered for his films or his wealth. He lives on through small acts of generosity, giving the eponymous “Station Eleven” comic book to Kirsten when she was a child, or through photographs and articles in decaying gossip magazines.
So why 4 out of 5 stars? Despite the beautiful writing, I found myself skimming passages. Arthur Leander was a fabulously wealthy, successful actor and serial divorcee, but not a particularly interesting character. There are almost too many characters and side plots that don’t seem to add much to the story. I found myself impatient to go back to the Travelling Symphony and to Kirsten as they made their way around post-apocalyptic Michigan.
A strong recommend from me for fans of literary fiction who want to dip their toes into the burgeoning post-apocalyptic literature genre, and for fans of science fiction curious about the tropes of literary fiction. I thoroughly enjoyed this beautiful and inspiring book.